[From The Guardian]
Senior figures in Britain’s Jewish community have cautiously welcomed the republication of Adolf Hitler’s Mein Kampf for the first time since the second world war.
The most notorious antisemitic text of the 20th century, Mein Kampf (My Struggle), was originally published in two volumes in 1925 and 1926, and was the first systematic exposition of Hitler’s thinking on race and the “Jewish peril” he believed was threatening Germany.
Since 1946, the copyright has been in the hands of the Bavarian state, which refused to consider a new edition. However, the copyright protection expires at the end of the year and on 8 January a new academic, or “critical”, edition will be launched by the Institute of Contemporary History in Munich, complete with comprehensive annotations.
German Jews have already expressed divided opinions on the republication. Levi Salomon, spokesman for the Berlin-based Jewish Forum for Democracy and Against Antisemitism, told American media that he was “absolutely against” the publication, regardless of its annotations. “Can you annotate the Devil?” he asked. “Can you annotate a person like Hitler?”
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[From The Guardian]
Outside it was burningly hot, the skies clear blue. But inside there was only darkness. For the next nine and a half hours, in the Jerusalem Cinematheque, they would sit, rapt and in silence, through Shoah, the film made by the French director Claude Lanzmann, which was already being garlanded by critics around the world as the greatest single film about the Holocaust and one of the very greatest documentaries in the history of cinema.
It was June 1986, eight months after the film’s release. Hushed audiences had sat spellbound at screenings in Paris and New York, but this June day was different. It was the first official showing of Lanzmann’s masterpiece in Israel, its premiere marked as all but a state occasion. Taking their seats at the Cinematheque, then a newly opened arthouse cinema facing the walls of the Old City, were Israel’s prime minister, Shimon Peres, along with the country’s president, chief rabbi and even the chief of staff of the military. A surging pack of press and cameras had greeted their arrival.
Less noticed as they made their way through the heaving crowd were the rest of the invited audience. Among them were several of those who appeared in the film: the survivors of the Nazi death camps, the resistance fighters, those who had witnessed the slaughter up close. They were in the room. Many had their children at their side.
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