Monthly Archives: April 2017

Opening of UN files on Holocaust will ‘rewrite chapters of history’

Archive used in prosecution of Nazis reveals detailed evidence of death camps and genocide previously unseen by public

[From The Guardian]

War crimes files revealing early evidence of Holocaust death camps that was smuggled out of eastern Europe are among tens of thousands of files to be made public for the first time this week.

The once-inaccessible archive of the UN war crimes commission, dating back to 1943, is being opened by the Wiener Library in London with a catalogue that can be searched online.

The files establish that some of the first demands for justice came from countries that had been invaded, such as Poland and China, rather than Britain, the US and Russia, which eventually coordinated the post-war Nuremberg trials.

The archive, along with the UNWCC, was closed in the late 1940s as West Germany was transformed into a pivotal ally at the start of the cold war and use of the records was effectively suppressed. Around the same time, many convicted Nazis were granted early release after the anti-communist US senator Joseph McCarthy lobbied to end war crimes trials.

Access to the vast quantity of evidence and indictments is timed to coincide with the publication on Tuesday of Human Rights After Hitler: The Lost History of Prosecuting Axis War Crimes by Dan Plesch, a researcher who has been working on the documents for a decade.

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Yevgeny Yevtushenko obituary

Музыка в Советском Союзе | Music in the Soviet Union

[From The Guardian]

In the middle of a novel published in the Soviet Union in 1981, two young people are exchanging opinions about Russian poetry. After several names have come up, one asks the other, “And how about Yevtushenko?”, to which he gets the reply: “That’s another stage that’s already past.” An unremarkable exchange, of course, save that the novel (Wild Berries) was by the poet Yevgeny Yevtushenko himself.

It indicates several things about Yevtushenko, who has died aged 84: his unquenchable self-regard, his ability to laugh at himself, his appreciation of the vagaries of fame. It also reminds us that there was a brief stage when the development of Russian literature seemed almost synonymous with his name.

Notoriety of a political sort first came Yevtushenko’s way in 1956, with the publication of his narrative poem Zima Junction, which encountered heavy criticism. The poem had no anti-Soviet message, but…

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