Monthly Archives: June 2016

Remarkable story of Holocaust survivor who played in orchestra at Auschwitz comes to the stage

[From getwestlondon website]

How do you tell the story of a Holocaust survivor who can’t bring himself to open up about the atrocities he witnessed?

That’s the challenge which faced Gérald Garutti when he was charged with bringing to stage the remarkable tale of Haïm Lipsky.

The Polish-born Jew was a violin prodigy and survived Auschwitz after being selected for the orchestra there, but opted to work as an electrician rather than play professionally after his liberation from the Nazi concentration camp.

For Garutti the answer was simple: his task was not to write a Holocaust play in the traditional sense but one about the transcendent power of music and the succour it has provided for Lipsky and millions across the world in desperate times.

He describes the Holocaust as a “dark hole” in the middle of Haïm – In the Light of the Violin , coming to Notting Hill theatre the Print Room at the Coronet – which tells the story of Lipsky’s life from the age of eight to the 94-year-old of today.

“I wanted to convey how art, and especially music, can give a sense of meaning to our lives – especially in the darkest times,” he says.

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Filed under Holocaust in the news, Holocaust testimonies, Literature, Other primary sources (not Yiddish)

When Watching Unbearable Tragedy Is Far Too Bearable — Especially When Ute Lemper Sings

[From Forward]

‘I’m a mother of four children,” Ute Lemper was saying, fingers toying with the handle of her coffee cup, “and singing these songs, telling these terrible destinies and tales of death, is almost impossible.”

Lemper sat across from me at Nice Matin, on Manhattan’s Upper West Side. The lunchtime conversations surrounding us hummed with an energy that felt unique to this day, one of the first that felt like spring; visible through the windows, trees weighed down with white blossoms lent a delirious beauty to 79th Street. It was, altogether, a somewhat jarring environment in which to be discussing Lemper’s current project: a concert of songs written by Jews in concentration camps during the Holocaust.

Unlike many who claim the title “chanteuse,” Lemper, strawberry blonde and dressed with a chic simplicity, lives up to its silky appeal. She’s won acclaim for playing Sally Bowles in “Cabaret” and spent her career, which has taken her through Berlin, Paris, London and New York, in worship of Kurt Weill. In person she comes across as direct and unpredictable, moving with a pantherlike deliberateness. Beyond the glamour, though, she is a professional who wants to do a good job. As she sipped her second cappuccino, she grew eager to ensure that my phone, which I was using to record our interview, captured our conversation over the buzz. She joked, with genuine concern, that if she spoke louder she might hurt her voice.

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Filed under Holocaust in the news, Listening materials, Other resources

מרדכי געבירטיגס לידער | Mordechai Gebirtig’s songs

דעם שבת פֿאַלט אויס דער 74סטער יאָרצײַט, לויטן סעקולערן קאַלענדאַר, פֿונעם גרויסן ייִדישן פּאָעט מרדכי געבירטיג ז׳׳ל, וועלכער איז אומגעקומען אין דער קראָקאָווער געטאָ, אין 1942.

אַ לעגענדאַרע פּערזענלעכקייט אין דער וועלט פֿון ייִדישער מוזיק בעת זײַן לעבן, איז ער אין דער זעלביקער צײַט געווען צום־מערסטנס אַנאָנים: אַ פּשוטער סטאָליער, וואָס האָט אין זײַן פֿרײַער צײַט געשריבן לידער וועגן די אָרעמע ייִדן פֿון קראָקע, וווּ ער האָט געוווינט זײַן גאַנץ לעבן.

ס׳איז שווער אויף איין פֿוס איבערצוגעבן די וויכטיקייט און השפּעה פֿון געבירטיגס לידער. אויף דעם וואָלט מען געדאַרפֿט אַ גאַנצן אַרטיקל, צי אַ דאָקומענטאַר־פֿילם. ס׳איז כּדאַי פּשוט צו דערמאָנען, אַז פֿון אַרום 100 לידער זײַנע וואָס זענען אונדז פֿאַרבליבן, הערט מען אָפֿט כאָטש אַ טוץ פֿון זיי און זיי בלײַבן צווישן די סאַמע באַקאַנסטע ייִדישע לידער איבער דער גאָרער וועלט.

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Filed under Holocaust in the news, Knowledge entries, Listening materials, Yiddish materials 2: language and grammar, Yiddish materials 4: primary sources