Music in the Holocaust bibliography

Adler, Eliyana R., ‘No Raisins, No Almonds: Singing as Spiritual Resistance to the Holocaust’, Shofar: An Interdisciplinary Journal of Jewish Studies 24, no. 4 (2006): 50-66.

Arnold, Ben, ‘Art, Music and the Holocaust’ in Holocaust and Genocide Studies, Vol 6, No 4 (1991), pp. 335-349.

Beker, Sonia Pauline, Symphony on Fire: A Story of Music and Spiritual Resistance During the Holocaust, (New Milford, NJ: Wordsmithy, 2007).

Bergen, Doris L. ‘Music and the Holocaust.’ In The Holocaust: Introductory Essays, edited by David Scrase and Wolfgang Mieder (Burlington, VT: The Center for Holocaust Studies at the University of Vermont, 1996), 133-147.

Bor, Josef, The Terezín Requiem (New York: Knopf, 1963).

Cummins, Paul,  Dachau Song: the Twentieth-Century Odyssey of Herbert  Zipper (New York: Peter Lang, 1992).

Fénelon, Fania, Playing for Time (Syracuse, NY: Syracuse University Press, 1997).

Flam, Gila, ‘The Role of Singing in the Ghettos: Between Entertainment and Witnessing’, in Holocaust Chronicles: Individualizing the Holocaust through Diaries and Other Contemporaneous Personal Accounts, edited by Robert Moses Shapiro (Hoboken, NJ: Ktav, 1999), 141-153.

Flam, Gila. Singing for Survival: Songs of the Lodz Ghetto, 1940-45 (Urbana: University of Illinois Press, 1992).

Furtwangler, Wilhelm., Notebooks, 1924-1954; translated by Shaun Whiteside; edited and with an introduction by Michael Tanner (London; New York: Quartet Books, 1989).

Gilbert, Shirli, Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps, (Oxford: Oxford University Press, 2005).

Graham, Lisa. ‘Musik Macht Frei: Choral Music Composed and Performed in the Nazi Concentration Camps, 1938-44‘, DMA diss., (University of Southern California, 2001).

Heskes, Irene, ‘Music of the Holocaust’, in Holocaust Literature: A Handbook of Critical, Historical, and Literary Writings, edited by Saul S. Friedman, (Westport, CT: Greenwood Press,1993), 591-603.

Hirsch, David H., ‘Camp Music and Camp Songs: Szymon Laks and Aleksander Kulisiewicz’, in Confronting the Holocaust: A Mandate for the 21st Century, ed. by G. Jan Colijn and Marcia Sachs Littell, (Lanham, MD: University Press of America, 1997), 157-168.

Jani, Emilio, My Voice Saved Me: Auschwitz 180046 (Milano: Centauro Editrice, 1961).

Jelavich, Peter, ‘Cabaret in Concentration Camps’, in Theatre and War 1933-1945: Performance in Extremis, edited by Michael Balfour (New York: Berghahn Books, 2001), 137-163.

Karas, Joža, Music in Terezín 1941-1945 (New York: Beaufort Books, 1985).

Karas, Joža. ‘Operatic Performances in Terezín: Krása’s Brundibar‘ in Theatrical Performance During the Holocaust: Texts, Documents, Memories, edited by Rebecca Rovit and Alan Goldfarb (Baltimore: Johns Hopkins University Press, 1999), 190-200.

Kater, Michael A., Different Drummers: Jazz in the Culture of the Nazis (New York: Oxford Univesity Press, 1992).

Katz, Jacob. The Darker Side of Genius: Richard Wagner’s Anti-Semitism (Hanover, NH: University Press of New England, 1986).

Kulisiewicz, Aleksander, ‘Polish Camp Songs, 1939-1945‘, Modern Language Studies, Vol. 16, No. 1 (Winter, 1986): 3-9.

Laks, Szymon, Music of Another World (Evanston, IL: Northwestern University Press, 1989).

Lasker-Wallfisch, Anita, Inherit the Truth, 1939-1945: The Documented Experiences of a Survivor of Auschwitz and Belsen (London: Giles de la Mare, 1996).

Levi, Erik, Music in the Third Reich (New York: St. Martin’s Press, 1994).

Meyer, Michael, The Politics of Music in the Third Reich. (New York: P. Lang, 1991).

Nathan-Davis, Sarah, ‘Music of the Holocaust’ in Remembering for the Future: The Holocaust in an Age of Genocide, Volume 3, edited by Margot Levy, (New York: Palgrave, 2001), 804-813.

Newman, Richard, Alma Rosé: Vienna to Auschwitz (Portland, OR: Amadeus Press, 2000).

Shirakawa, Sam H., The Devil’s Music Master: the Controversial Life and Career of Wilhelm Furtwaengler (New York: Oxford University Press, 1992).

Vries, Willem de, Sonderstab Musik: Music Confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi Occupation of Western Europe (Amsterdam: Amsterdam University Press, 1996).

Wadler, Aleeza Nemirovsky, ‘Strings in the Shadows: A Portrait of Three Violinists at the Terezin Concentration Camp‘, DMA diss., Boston University, 2003.

We Are Here: Songs of the Holocaust / compiled by Eleanor Mlotek and Malke Gottlieb; foreword by Elie Wiesel; singable translations by Roslyn Bresnick-Perry; illustrated by Tsirl Waletzsky (New York: Workmen’s Circle and Hippocrene Books, 1983).

Yes, We Sang!: Songs of the Ghettos and Concentration Camps / Shoshana Kalisch with Barbara Meister. 1st ed. (New York: Harper & Row, 1985).

Zwerin, Mike, La Tristesse de Saint Louis: Jazz under the Nazis (New York: William Morrow, 1985).